River returning

Eucalypt awakening

It’s been a long while since I’ve posted about the river. It’s not that I haven’t been out.  I’ve been up and down the same stretch of Berowra Creek – from my favourite haunts Bujwa Bay to the vine-hung eucalypts at Crosslands – often over the last two years, thankful that this marvellous estuary is at the end of my street.

A cormorant claims Berowra Creek

But paddling the same waters again and again, walking the same trails that loop above and around and down to the river, there’s rarely been something new and remarkable to tell a story about (and in the endless covid work-crunch almost never time to sit down and tell any kind of story to my satisfaction).  ‘

But sometimes, it’s not the new that’s remarkable. Paddling the stretch of river, walking the same firetrails to the same lookouts again and again, sharpens your eyes to small changes in the light or the tide, the movement of mist or ripples or birds in flight.

Spiderweb morning

What do you see when you step into the same river, time after time after time?

The sun advances and retreats with the fog.

Saltmarsh and sun

The big rains come, shifting the sandbars.  One day you see kids playing in the shallows, another day, in the same spot, fishermen casting.

A haunted boat, swaying gently, appears at a mooring

My pictures from these outings deceive me.  Is that the same bay in another season, or perhaps a different line of mangroves in the same early light?

The landscape blurs: sandstone into treescape, mist into bird.

During lockdowns, borders closed, the still river became our local art gallery.

And now lockdown is over, and my pictures of the river are in a real gallery!

They’re on show at The Cottage, a community art space at Brooklyn.  It’s all thanks to the wonderful Ana Rubio at Hornsby Council, who remembered my last exhibition at Hornsby’s Wallarobba Art and Cultural Centre in 2020 and asked me to display my photos as part of a six council public consultation process on Dyarubbin/The Hawkesbury.  A big part of the consultation is a Celebration of Deerubbin from 10-3 on Saturday June 18, with stalls and kids’ activities right by The Cottage.

High contrast bridge

My exhibition “River Returning” is on throughout June – you can come and see it between 10 and 3 on weekends.  I’ll be there much of the time and it would be great to see you!

The prints in this post are all on sale.  They’re giclee art printed on Canson rag, and you can find a pricelist below.

River returning pricelist

  • Eucalypt awakening,     84 x 56.6 cm, $400
  • Cormorants and their shadows   53.23 x 35.9 cm, $180
  • Spiderweb morning, 53.23 x 42 cm, $230
  • Shack on the water 54.24 x 42 cm, $230
  • River Mondrian  59.4 x 39.6 cm, $250
  • Sun fishing  28 x 42 cm, $120
  • Naa Badu walkers 28.94 x 18 cm, $60
  • Mangrove nursery 28.52 x 18 cm, $60
  • Naa Badu boaties  27.7 x 18 cm, $60
  • Mangrove island  28.19 x 18 cm, $60
  • Fishing boat figures 29.72 x 42 cm, $120
  • Heron on Hawkesbury sandstone  54 x 42 cm, $230
  • Three hills  38.82 x 42 cm,$140
  • Bundled boat  42 x 52.38cm, $230
  • Silver eyed boat  42 x 63 cm, $250
  • Blue boat 34.92 x 52.38, $180
  • Salt marsh and sun 59.4 x 39.04 cm, $230
  • Joe Crafts Bay abstract  42 x 28 cm, $120
  • Shadow trees 42 x 28 cm, $120
  • High contrast bridge 53.23 x 32.67 cm,$180
  • A cormorant claims Berowra Creek 84 x 56.07 cm, $400
  • The rower 53.23 x 35.34 cm, $180

If you like a particular image but would prefer it in a different size, do let me know – I can easily get smaller or larger versions printed. Just tell me the size you prefer.

Other prints, from my previous exhibitions on Dangar Island and the Wallarobba Arts and Cultural Centre in Hornsby, are also available. Check out the “Art and the River” link at the bottom of this page.  You can also follow me on Insta: my handle is mccnmatt.

To order, please email me on nicole.matthews@mq.edu.au and I can pop your print in the post!

Post about my previous exhibition, Dawn on Deerubbin

Art and the river

Art and the river

It’s been a long year, 2020, what with the apocalyptic fires, the global pandemic and higher education (my industry) going into meltdown. Between the smoke, the worrying, the working twice as hard as usual, the home schooling, the doom-scrolling, the worrying about children worrying, there hasn’t been a lot of time for blogging, although there have still been moments of tranquillity and wonder on the water and and in the garden.

A triangle - the front of a wooden kayak - bisects a very still river, which reflects foggy trees on either side.

Bute and sunny trees

But something really good did happen, towards the end of the year, worth getting out of my rut to blog about: my first photography exhibition. I had opportunity to take over Hornsby Council’s Wallarobba Arts and Cultural Centre – closed for much for 2020 during the pandemic – for a couple of weeks.  The exhibition was called “Deerubbin at Dawn” and was part of Sydney’s annual Head On photography festival – which normally happens in May each year but was deferred this year, like so many other things.  But thanks to Hornsby Council and heaps of curatorial help from my fabulous  friend Jane Simon it did end up happening!

I was really lucky to have my colleague and friend, Dr Ian Collinson, polymath and environmental humanities guy, write a catalogue essay for the exhibition that we also put on the wall in the grand front entrance:

Deerubbin at dawn: river lives on the Hawkesbury reveals Nicole Matthews’ familiarity with her neighbourhood, a familiarity that is a product of the conscious and frequent ‘looking’ that landscape photography demands of its practitioners. Taking many pictures of the same landscape over a protracted time—in different seasons, from different vantage points—produces images that evince an intimacy and a local knowledge, as well as epic and aesthetic grandeur. These are pictures of home not a remote wilderness, even though some may stir a romantic desire for the distant, the untouched and the awe-inspiring. The exhibition speaks to the interconnectedness of what we unhelpfully label culture and nature as though one could exist without the other. 

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Taken from a kayak, these photographs alter our normal perspective as we see the River from a different viewpoint: from the inside out, from the River itself rather than a distant look-out. The images are also taken at an unfamiliar time of day. Through the floating eye of the camera we see the River at dawn with its soft, subdued colours and unique misty veils that tease and disappear as daybreak turns into day. Through this double shift of perspective and time the exhibition wants us to look again (and again) at what might be a familiar landscape to those who live in the embrace of the Hawkesbury River.

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Despite their romantic moments, these are pictures of a cultural landscape, landscape as everyday life as it is lived in a place, a life transformed by topography and a topography transformed by life. Deerubbin and its margins is an Indigenous ‘Country’, a national park, a suburb on Sydney’s northern edge, a landscape crafted by generations of human action and activity. The images speak to the labour and leisure that are intertwined and enabled by Deerubbin, of oyster-farming, the daily migration of commuters, and weekends spent sailing, motor-cruising or fishing. Humans are put in their place here; present but not overbearing, integral but not dominant.

Distant picture of a group of yachts and a buoy

Pixellated yachts

Australasian Darter, wings out, facing a bleached out moon

Darting at the moon

 
The front of a wooden kayak heading into a reflective misty scene

And suddenly fishermen

If you’d like to get more of a sense of the atmos of the gallery, here are some little videos with some of the soundtrack I had playing in the space to make it seem a little more… estuarine.

Two weeks of chatting to friends and blow ins, of zoom meetings with real-life mansion background, of selling a surprisingly large number of prints and 2021 Calendars (thank you generous pals and hooray for Christmas) and it was all over.

Four wires dropping against a white wall

The empty gallery

But not completely!  Buoyed by how enjoyable I found the whole thing, and cheered that people seemed to like my pics, I have another, much smaller exhibition happening in the front room of the Dangar Island Depot from January 24-March 6 2021.   It’s not many islands in a major river in Australia that are accessible by public transport but Dangar Island is one of them – jump off the train at Hawkesbury River Station (with its spanking new lifts, opened only last week) and onto the Brooklyn Ferry Service and you’re there.

And if you’re too far away to come along, you can buy prints of any of the photos on this post. Prices are between $60 and $350, depending on size. Or you can buy a 2021 calendar for $30.  Check out the images in the calendar here:

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